Studier af bjerglandskab ved hav by Niels Larsen Stevns

Studier af bjerglandskab ved hav 1900 - 1904

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drawing, paper, pencil

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drawing

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landscape

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paper

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coloured pencil

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pencil

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realism

Dimensions 114 mm (height) x 183 mm (width) x 9 mm (depth) (monteringsmaal), 113 mm (height) x 182 mm (width) (bladmaal)

Editor: This small drawing, "Studier af bjerglandskab ved hav," or "Studies of Mountain Landscape by the Sea" by Niels Larsen Stevns, created between 1900 and 1904, has a stark and minimalist quality. It looks like mostly pencil and maybe colored pencil on paper. What's striking to me is the sheer lack of detail, yet it manages to convey such a vast sense of space. What do you make of it? Curator: It's interesting that you mention the "lack of detail," as that could be interpreted as a deliberate artistic choice reflective of its time. Consider the burgeoning modernist movement; artists were increasingly less concerned with mimetic representation and more focused on capturing essence and conveying emotion. How might this sketch reflect the social context, a shift away from academic tradition, and towards more subjective expressions? Editor: That makes sense! So, the rough quality is almost a statement in itself. Do you think that landscape as a genre was particularly potent politically or socially in early 20th century Denmark? Curator: Absolutely. Landscape painting had a long tradition of being associated with national identity. Artists sought to define “Danishness” through depictions of their land. Given this context, Stevns' work is perhaps less about idealizing the nation and more about a personal, internal experience of place. He seems more interested in fleeting atmospheric effects. What feeling do you get when you consider the socio-political associations that are associated with landscape art? Editor: It adds a whole new layer! It almost feels rebellious in its understatement, then. I initially just saw a sketch, but I realize now how much it speaks to its era. Thanks for helping me understand the complexities and how social context shapes an artist's choices! Curator: My pleasure. It is exciting when initial simple sketches contain layers that allow one to view it through history, technique and purpose. Hopefully, this new lens will allow for greater consideration during the next encounter.

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