Court Ladies and Child Holding Pheasant's Eye Plant (Fukujusō) by Wheeled Writing Table (Fuguruma) at New Year's c. early 19th century

Editor: Here we have "Court Ladies and Child Holding Pheasant's Eye Plant (Fukujusō) by Wheeled Writing Table (Fuguruma) at New Year's," a print by Kubo Shunman. I'm curious about the wheeled table and how it relates to the figures. How do you interpret this work? Curator: It's fascinating to consider the wheeled writing table, or fuguruma, in the context of these court ladies. Consider the limited mobility of women of status. Do you think the wheeled table is an indication of freedom, or perhaps even a subtle critique of their confinement? Editor: That's a great point. I never considered the table as a potential symbol of confinement! Curator: Precisely. Shunman’s work prompts us to question the roles and expectations placed upon these women, even within a seemingly celebratory New Year's scene. Editor: It makes me think about the tension between tradition and the desire for freedom in that period. Thanks for the insights. Curator: My pleasure. It's always rewarding to view art through the lens of social commentary.