Portret van Françoise de Rochechouart, markiezin van Montespan 1755

This portrait of Françoise de Rochechouart, Marquise de Montespan, was made by Michel Aubert in the 18th century using etching, a printmaking technique. Etching involves coating a metal plate with a waxy, acid-resistant substance, then scratching an image into the wax. When the plate is dipped in acid, the exposed metal is eaten away, creating lines that hold ink. In this instance, we can see the exquisite detail that could be achieved by a skilled hand. Consider the controlled, repetitive marks, which give a sense of volume to the Marquise's hair and clothing. These marks also create the different tonalities and textures in the image. The process of etching is inherently reproducible, making prints more accessible than unique paintings. This speaks to broader shifts in 18th-century society, where images of powerful and influential figures like the Marquise de Montespan could be disseminated more widely. This portrait not only immortalizes her image but also reflects the evolving relationship between art, society, and the means of production.