The Tea Stall - Kagiya Osen by Suzuki Harunobu 鈴木春信

The Tea Stall - Kagiya Osen c. 1769

0:00
0:00

print, woodblock-print

# 

portrait

# 

print

# 

asian-art

# 

ukiyo-e

# 

figuration

# 

woodblock-print

# 

orientalism

# 

genre-painting

Dimensions 63.4 × 12.2 cm

Curator: This woodblock print is titled "The Tea Stall - Kagiya Osen" and was created around 1769 by Suzuki Harunobu. Its long, narrow format immediately strikes me. Editor: I find its delicate composition immediately charming, yet imbued with an unusual stillness. Curator: Let's examine the context. Ukiyo-e prints such as this one were often made using multiple blocks, each for a different color. Consider the level of craftmanship needed to create this image from individually carved blocks. We see this beautiful grey fabric with its unique swirling pattern, an incredibly detailed element to transfer by hand onto wood. Editor: The formal arrangement here is fascinating. Observe how Harunobu uses the verticality of the print to elongate the figure, accentuating her graceful pose, her gaze lowered in contemplation. The artist masterfully plays with positive and negative space, notice the architecture as a series of receding planes to add depth and subtle asymmetry. Curator: Absolutely. The narrative element is equally compelling. Osen, the tea server, gained quite some fame through these prints. Note how, even reproduced, her celebrity contributed to a consumer culture of sorts. This image itself became a commodity, consumed widely by those eager to own a piece of Osen's celebrated persona. Editor: But beyond Osen's commercial appeal, consider how Harunobu employs light and shadow to sculpt her form and her subdued coloration allows for nuanced expressions and the overall ethereal mood. Curator: It is fascinating to reflect on how the consumption of art, such as this print of Osen, mirrors larger societal dynamics concerning the commodification of beauty and labor during that era. Each print produced and distributed serves as a trace of cultural interaction and economic exchange. Editor: Agreed. It serves as an exemplary lesson in mastering subtle visual poetics. Curator: Looking at this artwork through the lens of its materials and production truly adds depth. Editor: Indeed. It certainly enhances our appreciation of how these formal elements and the overall aesthetic contributes to the charm that "The Tea Stall - Kagiya Osen" still exerts on its viewers.

Show more

Comments

No comments

Be the first to comment and join the conversation on the ultimate creative platform.