Silence of the Snow, Bucket Mill on the Feugh, Finzean 

Editor: We're looking at "Silence of the Snow, Bucket Mill on the Feugh, Finzean" by Joseph Farquharson, done with oil paint and tempera. It's giving me a kind of hushed, contemplative vibe, with that light filtering through the bare trees. What stands out to you when you look at this piece? Curator: The hushed vibe is spot on! For me, it’s the light reflecting on the water that truly captivates. It’s not just sunlight; it's like the sun is whispering secrets to the snow-covered rocks and that old mill. Does the presence of the mill speak to you in any way? Editor: Well, it definitely anchors the scene. Makes it feel like a real place, not just some dreamy winterscape. Plus, it hints at human presence, even though there aren't any people. Curator: Exactly! Farquharson often blended realism with a touch of romanticism, that longing for a simpler time, maybe. The silence isn't just about the snow, but also the absence of the mill's activity. You almost hear the stillness, don't you? Editor: I do. It's kind of sad, but beautiful at the same time. A bit like looking at a forgotten dream. Curator: That's beautifully put. It makes me think of how art captures these transient moments, these fleeting feelings of connection with something bigger than ourselves. It feels as though one could walk directly into the scene. Editor: It's funny, I wasn’t expecting to feel so much looking at a snowy landscape, but now it resonates with a powerful longing. Thanks for sharing your perspective. Curator: My pleasure. Art should evoke feelings and that winter mill certainly hits the spot. The light almost warms the scene and it speaks to me of home.