Plate 13: head of a young boy, in profile, from 'The Book for Learning to Draw' (Livre pour apprendre à dessiner) 1647 - 1652

Stefano della Bella created this study of a boy's head in profile as part of his ‘Book for Learning to Draw’. Look closely at how the face is rendered through a network of fine, precise lines. The cross-hatching gives volume to the boy’s face, defining the contours of his cheek and brow. Consider how this technique—using line to create shadow and form—creates a sense of depth on a flat surface. It’s a technique that goes back to the early Renaissance, where artists were obsessed with using linear perspective to convey three-dimensionality. Della Bella, here, is simplifying this for didactic purposes, making it accessible to aspiring artists. The evenness of the lines also lends the work a formal, almost classical feel, reminiscent of antique sculptures. Notice, too, how the hair is treated with a freer, more decorative hand. The curls are suggested with a series of looping lines, contrasting with the more structured approach used for the face. It’s in these subtle contrasts that the drawing transcends mere instruction, becoming a study in how different textures can be evoked through line alone. This interplay between structure and fluidity shows us how technical skill can serve artistic expression.