Ascension c. 1490

Editor: This is an early print showing the "Ascension", made around 1490, done with tempera on woodcut. I am immediately struck by how raw the emotion feels, even with the limited color palette and somewhat naive style. What stands out to you about the visual language being used? Curator: The most prominent aspect, I think, is the employment of what we might term 'visual shorthand.' The use of the halo, for instance. What does that symbol immediately communicate to you? Editor: Authority, sacredness…divinity, basically. It feels instantly recognizable, even today. Curator: Precisely. And notice the direction of the gazes, all leading upwards, beyond the frame, which acts almost as a psychological pull, directing our own gaze towards the heavens. Observe, too, the use of scale: Jesus is literally ascending; but, what *remains* visible? Just his feet… How is the artist deploying what remains of Christ? Editor: Humility? Reminder of Christ's human presence despite the ascension? Even loss? The figures below seem so stunned. Curator: Loss perhaps, but also witness. Consider the repetition of upward reaching hands. An echo through history—they *witnessed*. And, through the very act of witnessing, ensure the *story* and *memory* survive to reach us. Editor: I see, so it’s less about perfect realism and more about conveying the enduring power of faith and memory, a very moving experience of continuity. Curator: Exactly. Art then became the vehicle. Now, consider how different the memory would feel if presented without these loaded cultural objects.