View of the Plum Garden at Umeyashiki by Utagawa Yoshikazu

View of the Plum Garden at Umeyashiki Possibly 1853 - 1856

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print, ink, woodblock-print

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print

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asian-art

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landscape

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ukiyo-e

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ink

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woodblock-print

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watercolour bleed

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watercolour illustration

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genre-painting

Dimensions: 8 9/16 × 13 1/2 in. (21.8 × 34.3 cm) (image, horizontal ōban)

Copyright: Public Domain

Editor: So, this vibrant woodblock print is "View of the Plum Garden at Umeyashiki," possibly from 1853-1856, by Utagawa Yoshikazu. There's such a festive feeling about it, like a party under these pink-tinged plum blossoms. All these people gathered… it feels really inviting. How do you interpret the social context of a piece like this? Curator: It's crucial to consider what these Ukiyo-e prints meant to the rising merchant class of Edo period Japan. These images, readily available and relatively inexpensive, offered a glimpse into a world of leisure and entertainment that was often off-limits to them. Editor: So, it's almost like early mass media? Curator: Exactly. Consider Umeyashiki. It wasn't just any garden; it was a carefully cultivated public space, a kind of theatrical stage designed for viewing blossoms and for social display. Yoshikazu, like many Ukiyo-e artists, is providing a kind of advertising, almost a tourism poster. Look at the arrangement of figures, strategically placed to showcase different fashions, social interactions... and perhaps hint at acceptable behaviours within a garden. Note, it's less a naturalistic depiction, and more of an idealized presentation. Do you see that tension? Editor: Yes, now that you mention it. The perfectly arranged people, almost like props themselves among the plum trees. Was there a political message being made too, then? Curator: Perhaps indirectly. The shogunate implemented sumptuary laws dictating what classes could wear and do, which drove some of this creative expression. By visually consuming and even participating in this carefully orchestrated entertainment and dissemination via mass production, this suggests to me how boundaries can be subtly transgressed and identities playfully asserted. Editor: That’s fascinating. I hadn't considered the subversive aspect of simply enjoying a day in the garden! Thank you! Curator: My pleasure. This woodblock print gives us such a unique view into art, commerce and everyday social life during this period.

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