Prologue c. 1843 - 1847
utagawa_hiroshige
minneapolisinstituteofart
print, ink, color-on-paper
toned paper
muted colour palette
japan
handmade artwork painting
historical fashion
ink
color-on-paper
wedding around the world
watercolour bleed
watercolour illustration
cartoon carciture
marker colouring
watercolor
"Prologue" is a woodblock print, or *ukiyo-e*, by renowned Japanese artist Utagawa Hiroshige, dated c. 1843-1847. The piece features a dramatic scene of two figures kneeling in front of a traditional *torii* gate, a symbolic entrance to a Shinto shrine, with a woman standing in the foreground. The print showcases Hiroshige's mastery of color and composition, depicting the rich details of the scene with a focus on the intricate patterns of the figures' clothing and the natural elements surrounding them. This *ōban* (large format) print is a prime example of the *ukiyo-e* genre, known for its evocative depictions of everyday life and the beauty of the natural world in Edo-period Japan.
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To prevent subversive performances, the government forbade the presentation of recent events. The playwrights of Chñshingura avoided censorship by adding a number of fictionalized subplots and by setting it in the 14th century. They also created names for their characters, though people soon figured out which theatrical character represented each historic personage. The disgraced lord Asano became Enya Hangan, and his enemy Kira became Kø no Moronao. Showing a scene from act 1, this print depicts the confrontation between Moronao and Enya's colleague Momoi Wakasanosuke, not Enya himself-another twist to the factual account. Gripping his sword hilt, Wakasanosuke, dressed in purple ceremonial attire, barely contains his anger. In black, Moronao provokingly waves his fan at him, as if fanning the young man's anger. The woman behind Wakasanosuke is Enya's wife, Kaoyo, who suffered Moronao's untoward romantic advances. Their demeanors well convey the tension among them, which ultimately results in the fatal event in act 3.
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