Tunnel Under the Stairs by Percy F. Albee

Tunnel Under the Stairs c. 1920s

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drawing, print, etching, graphite

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drawing

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print

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etching

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graphite

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cityscape

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realism

Dimensions: image: 23.5 × 32.39 cm (9 1/4 × 12 3/4 in.) sheet: 32.07 × 39.53 cm (12 5/8 × 15 9/16 in.)

Copyright: National Gallery of Art: CC0 1.0

Curator: Percy Albee's etching, "Tunnel Under the Stairs," dating to around the 1920s, presents a compelling cityscape scene. What are your immediate thoughts looking at this, Editor? Editor: I feel like I'm peering into some hidden, grimy corner of a forgotten city. The light's trapped; it feels almost theatrical. I’m instantly drawn to that dark, yawning tunnel. There's a narrative simmering here, I think. Curator: The artist's realism is evident, wouldn't you say? Look at the detail rendered through the etching technique combined with graphite: the rough texture of the stone, the intricacy of the staircase... a strong emphasis on the play of light and shadow. Semiotically, one might argue the tunnel symbolizes a transition, or perhaps an unknown path. Editor: Absolutely. Realism grounded in shadow. And, oh, there's the beauty! The formalist critique, as you mention, shows the masterful control of the artist. But there is a narrative, a tension. It’s industrial, but it feels… personal, wouldn’t you say? I wonder, what’s hidden in that dark tunnel? Who are these figures? I find my mind playing with that mystery. Curator: The use of line and perspective creates depth. Consider the geometry. The horizontal lines of the tunnel entrance are balanced against the vertical rise of the stairs. And those shadows really anchor the composition. Editor: Geometry balanced with the wild scribble of shadow. I almost feel like reaching out and touching those stairs. The realism is working a weird kind of magic, wouldn’t you agree? Makes one question: how much of reality can we access via the purely technical exercise? Curator: True, though let’s remember that "reality" is always mediated—filtered through Albee's artistic interpretation and our own perceptual frameworks. Editor: And his mystery and interpretation are successful. He takes you down the stairs. That is why art is art. It leads you someplace beyond what is tangible, no? Curator: Very well put, Editor. It's interesting to note how seemingly mundane urban landscapes, like the one here, become compelling subjects when framed through such artistic interpretation. Editor: I wholeheartedly concur. "Tunnel Under the Stairs" really captures that ability. This dark corner has certainly lit up my imagination.

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