Op een voetstuk, gedecoreerd met van links naar rechts Mercurius, Neptunus en Venus, staan hermen by Hans Sibmacher

Op een voetstuk, gedecoreerd met van links naar rechts Mercurius, Neptunus en Venus, staan hermen c. 1525 - 1594

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drawing, print, ink, engraving

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drawing

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allegory

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pen drawing

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print

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figuration

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11_renaissance

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ink

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line

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history-painting

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engraving

Dimensions height 106 mm, width 69 mm

Curator: Looking at this, my first thought is, what an ornate, fascinating little universe! The eye just dances all over. Editor: Indeed! This drawing, titled "Op een voetstuk, gedecoreerd met van links naar rechts Mercurius, Neptunus en Venus, staan hermen" is by Hans Sibmacher, made somewhere between 1525 and 1594, utilizing pen and ink. Curator: Right, a classic period piece. Immediately, I’m struck by its symmetry, and how all these elements feel delicately balanced, or attempting to be, like a social hierarchy made visual. Editor: Exactly! The classical allusions—Mercurius, Venus, Neptunus—lend themselves to themes of communication, love, and dominion. Considering Renaissance humanism, it positions humanity at the center. Curator: All very...phallic, I notice. And I wonder about their representation here, so rigidly placed. How might we unpack these representations through a feminist lens? Editor: An interesting interpretation! Certainly, power and gender dynamics come into play. The arrangement might be read as the subjugation, or at least the ordering, of these figures, within a very male-dominated system of representation. Curator: But the playful quality saves it. The serpentine details at the top, the little scenes underneath - it feels alive, not merely didactic. Editor: I agree! Sibmacher's creation presents such detailed intricacy. The symbolic weight layered with a lightness of touch... What resonates most with me, personally, is how it demonstrates the artist’s imaginative flair! Curator: Yes! So much of understanding art from past eras means interrogating how these societal structures informed artistic output, not only acknowledging historical contexts but also questioning their impact and perpetuation within artworks themselves. Editor: And that is, perhaps, the most remarkable takeaway of all: recognizing how art continues its conversation across time. Thank you for your invaluable comments. Curator: A great point, it was nice discussing it with you. Thank you.

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