Series of Prints with Flowers and Animals in a Landscape c. 1600 - 1605

This is a print of flowers and animals in a landscape, made by Johann Hogenberg around the turn of the 17th century. The animals and plants are rendered with the precision of scientific illustration, a growing discipline in the early modern period. But the print also evokes the garden as a cultivated space, where nature is not just observed but arranged and appreciated. Consider how the very act of cataloging nature reflects a particular worldview, one that seeks to organize and control the natural world. In the historical context of early modern Europe, this impulse was deeply intertwined with colonialism. European explorers and naturalists sought to classify and collect specimens from newly encountered lands, often for economic exploitation. The animals and plants in Hogenberg’s print might be seen as stand-ins for the cultural encounter, embodying both a sense of wonder and a will to dominate. There is a tension between aesthetic appreciation and scientific classification, between nature’s inherent wildness and humanity’s desire to tame it.