[Countess de Castiglione, from Série des Roses] 1895

This photograph of the Countess de Castiglione, from the "Série des Roses," was taken by Pierre-Louis Pierson, a French photographer, during the Second Empire in France. Virginia Oldoini, the Countess, was not just a subject but a collaborator, directing Pierson in elaborate stagings that challenged the conventional roles of muse and artist. Consider this a form of early performance art, where identity is consciously constructed through costume and pose. The Countess, known for her beauty and ambition, used photography to craft her image, playing with visibility and power in a society that often confined women to passive roles. The mirror becomes a crucial element, reflecting not just her physical appearance but also the constructed nature of identity itself. It invites questions about narcissism, self-awareness, and the gaze, both her own and that of the viewer. The "Série des Roses" is a powerful statement on beauty, aging, and the complex performance of femininity.