The Doll Festival, from the series "Amusements of the Five Festivals (Gosetsu asobi)" by Katsukawa Shunchō

The Doll Festival, from the series "Amusements of the Five Festivals (Gosetsu asobi)" c. 1790

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print, woodblock-print

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portrait

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print

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asian-art

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ukiyo-e

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figuration

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woodblock-print

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genre-painting

Dimensions: 25 × 18.2 cm (9 13/16 × 7 1/8 in.)

Copyright: Public Domain

Editor: Here we have "The Doll Festival, from the series 'Amusements of the Five Festivals,'" a woodblock print by Katsukawa Shuncho from around 1790. What immediately strikes me is the calm, almost meditative atmosphere despite it depicting a festival scene. How do you interpret this work? Curator: Calm is a wonderful way to put it, because to me it feels less like a chaotic festival and more like a carefully orchestrated performance. Look at how Shuncho uses line – almost calligraphic in its delicacy – to define the figures' robes. Each pattern, each fold, contributes to a sense of restrained elegance. Doesn't it strike you that way? It's as if he’s inviting us into a private, almost secret world of beauty. Editor: Yes, I see that. It's not a boisterous celebration but feels so...refined, like the festival is an excuse for elegant gestures and observations of beauty. Curator: Exactly! Think of it as capturing a very specific moment, a slice of life elevated by artistry. This wasn't just about depicting the event; it was about creating an experience, and asking us, centuries later, to witness it with a sense of intimacy and wonder. How do you feel it fits in the Ukiyo-e genre more broadly? Editor: Well, considering Ukiyo-e often focuses on transient beauty and everyday life, this print feels like a perfect fit. But Shuncho's interpretation has elevated it from simple genre scene to something deeper. The way the scene hints at domesticity and ritual elevates it above some of the more theatrical examples. Curator: Precisely! Shuncho uses this common theme of everyday beauty to hint at ritualistic celebration. Perhaps he captures the heart of Ukiyo-e after all. Now that we've considered that, what are some aspects of the print you are most interested in investigating next? Editor: Maybe I want to find out more about what doll festivals are actually about in this period and beyond. Curator: What a rewarding and enriching path for future consideration!

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