Interior of the Oude Kerk in Delft, with the Tomb of Vice-Admiral Pieter Pietersz Heijn c. 1650

Gerard Houckgeest made this painting of the Oude Kerk in Delft using oil paint, a traditional medium that allowed him to create detailed and luminous effects. Houckgeest skillfully used the materiality of oil paint to convey the architectural space of the church. He captures the texture and weight of the stone columns, as well as the play of light and shadow across the interior. The checkered floor leads the eye into the distance, emphasizing the vastness of the space. Oil paint is well-suited to this as it can be applied in thin glazes to create depth and atmosphere. The choice of oil paint as a medium also reflects the cultural context of the time. In the 17th century, oil painting was associated with high art, and was favoured by wealthy patrons who commissioned works for their homes and public buildings. This painting is a testament to the skill and craftsmanship of the artist, who was able to capture the beauty and grandeur of the Oude Kerk using traditional techniques and materials. By focusing on the materials and making of this artwork, we can appreciate the skill of the artist. It also prompts us to reflect on the social and cultural significance of art in 17th century Netherlands.