The Cunningham maple, Lancaster by Henry Brooks

The Cunningham maple, Lancaster before 1890

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print, photography, gelatin-silver-print

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pictorialism

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print

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landscape

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photography

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gelatin-silver-print

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realism

Dimensions height 223 mm, width 174 mm

Curator: Ah, this is “The Cunningham Maple, Lancaster,” a gelatin-silver print by Henry Brooks, captured before 1890. It's quite striking. Editor: It’s so… melancholy. Like looking at a memory fading into mist. The scale feels immense, though, the tree just dominates the scene. I feel so very, very small. Curator: That sense of scale is interesting, especially when you consider the cultural significance of trees during that era. They symbolized stability, longevity, a connection to the past… but also loss, with the rampant deforestation during the Industrial Revolution. Brooks perhaps, even unconsciously, tapped into that collective anxiety. Editor: You think so? To me, it feels almost personal, like a portrait of someone very old and wise, but incredibly lonely. Look at the way the branches twist and turn, they have such an individual shape, just as people do, and this gives such incredible depth and personality to it. Curator: Pictorialism often aimed for emotional effects over strict realism, and Brooks was known for this approach. Think of how landscape photography at the time served not only to capture reality, but to also shape public perception, influencing ideas about nature, progress and conservation. The title makes it sound more like an illustration than documentary work, almost dream-like in effect. Editor: The monochromatic palette, that hazy atmosphere… it certainly invites dreaming! You’re right about the tree becoming almost like a personality, and it is this personality that I find so enchanting, there is almost a narrative thread running through the structure of the leaves. It has been preserved in its individual way for so long and its story told over and over again through the people it knew and kept company with. Curator: A powerful presence, resonating across time. Thanks for sharing your insights; it’s fascinating how these enduring symbols continue to speak to us on so many levels. Editor: Yes, that melding of objective record and subjective impression – a compelling look into the world. Thanks to you too.

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