Album by Ahmed Karahisari

Album 

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paper, ink

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paper

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form

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ink

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geometric

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abstraction

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line

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islamic-art

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calligraphy

This is a calligraphic album page by Ahmed Karahisari, created during the Ottoman period. It showcases the Thuluth script, a highly ornamental form of Islamic calligraphy often used in architectural decoration and religious texts. Notice how the letters intertwine and overlap, creating a complex visual rhythm. This interweaving isn’t merely decorative; it embodies a deeper connection to the divine, a visual echo of the interconnectedness of all things in the cosmos. Such calligraphic entanglements remind me of the endless knot motif found in Buddhist art, a symbol of infinite wisdom and the cyclical nature of existence. The endless knot, like the calligraphic forms here, has roots stretching far back, appearing in various cultures. Consider the emotional resonance of these interwoven letters – they create a sense of unity and continuity, reflecting humanity’s timeless quest for meaning and connection. These symbols persist, echoing through time, as a testament to the enduring power of human expression.

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