drawing, print
drawing
toned paper
water colours
personal sketchbook
coloured pencil
underpainting
sketch
men
watercolour bleed
watercolour illustration
mixed medium
sketchbook art
watercolor
Dimensions Sheet: 11 13/16 × 15 3/16 in. (30 × 38.5 cm)
Editor: So, here we have John Doyle's "The Thimble Rig!" created around 1839, currently at the Met. It looks like a chaotic street scene, maybe a gambling game going on? I am especially struck by the somewhat eerie effect, since the artist leaves some figures almost like ghostly impressions, or sketches for ideas. How do you read this, in terms of theme or visual story telling? Curator: Ah, yes. It whispers of a certain era, doesn’t it? To me, it evokes that moment of thrilling anxiety when one risks a bit of themselves on a chance. The ghostly figures could echo the ephemeral nature of wealth, of how quickly fortunes can appear and vanish, wouldn't you agree? Think about the 1830s - what kind of context was that? Do you see references in clothing? How would they affect meaning? Editor: That makes a lot of sense, that ephemeral quality adds to the overall air of uncertainty and risk. The top hats and tailored coats definitely point to a certain level of society engaging in what seems like not necessarily reputable activity. But if these are ghostlike afterimages...do you think he suggests this type of risky activity is doomed? Curator: Hmmm. I wonder. Doyle’s strength lies in leaving avenues open, allowing each observer a unique experience with the piece. Perhaps it’s less about doom and more a gentle hum of caution—a reminder that behind every tempting game, there may be illusion and sleight of hand. What do you see? Is someone watching the viewer? Who would that be? Editor: I do see how he withholds easy conclusions; it’s more about posing questions. Thanks, now when I look at it, I feel I'm one of those ghostly spectators! Curator: Absolutely! That’s where its charm exists, wouldn't you say? A delicate dance between reality and illusion, mirrored by our perception.
Comments
No comments
Be the first to comment and join the conversation on the ultimate creative platform.