William Sancroft, Archbishop of Canterbury c. 17th century

Curator: This engraving by Robert White depicts William Sancroft, the Archbishop of Canterbury. It’s interesting to consider how power dynamics are visualized here. Editor: Right, it does feel like a very formal and maybe even intimidating portrait. How does this image reflect the social and political role of the church at the time? Curator: Well, Sancroft refused to swear allegiance to William of Orange, leading to his suspension. This act of defiance against the monarchy speaks volumes about the complex relationship between church and state. The portrait becomes a statement of resistance. What do you make of the Latin inscriptions at the bottom? Editor: They seem to reinforce his authority and divine mandate. It’s fascinating how the image and text work together to construct a narrative of power, faith, and resistance. Curator: Exactly. It shows how visual representations can become powerful tools in shaping historical and political narratives. Editor: I hadn't considered the portrait as a form of resistance before. Thanks for that insight!