Small writing desk (bonheur-du-jour) 1763 - 1773

Editor: Here we have a "Small writing desk (bonheur-du-jour)," made between 1763 and 1773 by Martin Carlin. It's a mix of wood, porcelain, metal and gilding. It feels so extravagant for something so small. What's the story behind this object? Curator: Well, this desk encapsulates the Rococo era’s fascination with luxury and display. Considering the period, what social class do you think owned such an ornate piece? Editor: Obviously not the peasants! Probably some wealthy aristocrat, or maybe even someone from the royal court. Curator: Precisely. These desks weren't just functional; they were statements of wealth and taste. The porcelain plaques, for instance, suggest a connection to royal factories like Sèvres, adding prestige. How do you think displaying objects like this affected social perceptions? Editor: I guess it reinforced the power dynamics of the time? Like, having this desk showed everyone that you were better than them because you had the resources to commission it. It’s like conspicuous consumption on steroids. Curator: Exactly. Furniture like this also highlights the role of decorative arts in constructing aristocratic identity. By commissioning and displaying such items, they cemented their social standing and created a visual culture that reinforced their dominance. But what do you think that does to artists? Do they merely perpetuate these dynamics? Editor: It is complex; maybe they did what they had to do to make a living. Curator: I agree. Editor: Thanks, that definitely gave me a richer understanding. It’s sobering to realize the political power embedded even in something seemingly innocent. Curator: And for me a renewed consideration about today's display of art.