Portret van een jonge man in militair uniform 1860 - 1900

Editor: Here we have an intriguing gelatin silver print, titled "Portret van een jonge man in militair uniform," dating between 1860 and 1900, created by Eckert & Müllern. The formality of the portrait, combined with the young man's slightly averted gaze, makes me wonder what it represents. How do you interpret this work? Curator: As a materialist, I'm drawn to the process and conditions of its production. Think about the labour involved in producing gelatin silver prints during this period. Each photograph necessitated skilled darkroom workers, access to specific chemicals, and meticulous manipulation of materials. These portraits become less about the sitter and more about the socio-economic network required to produce such images. Where was this photograph likely taken, and who were its intended consumers? Editor: Possibly a commercial studio catering to a specific clientele? Were military uniforms common subjects? Curator: Precisely. The uniform itself speaks volumes about societal structures. It represents not only individual identity, but also belonging, hierarchy, and perhaps, nationalistic sentiments. Photography democratized portraiture somewhat, making images available to a wider audience, yet the subjects chosen reveal underlying power dynamics of the time. Consider also the consumption of such images, likely kept as mementos or symbols of social standing. How does that change your perception of its value? Editor: It's fascinating to consider how this simple photograph served a specific economic and social function back then, beyond just capturing a likeness. It changes my perception of the portrait entirely. Curator: Exactly. By examining the materials and mode of production we understand more about the social values it reflects. Editor: Thank you! I'll never see portraits quite the same way again!