Chimney with a Painting of Louis XIV over the Mantle, from 'Grandes Cheminée' 1644 - 1666
drawing, print, engraving
portrait
drawing
historical design
baroque
figuration
line
history-painting
academic-art
engraving
Dimensions Sheet: 11 3/4 × 8 7/16 in. (29.9 × 21.4 cm) [cropped partly within plate mark]
Curator: Jean Le Pautre’s print, dating from the mid-17th century, showcases a design for a lavish chimney piece. Its full title is “Chimney with a Painting of Louis XIV over the Mantle, from 'Grandes Cheminées'.” Editor: Oh, my, talk about a statement piece! I feel as if I've walked into a hall of mirrors where everything is an echo of royal power. It’s wonderfully overwrought, almost to the point of absurdity. Curator: It certainly captures the spirit of the era. Louis XIV understood the power of imagery and employed it extensively to cultivate his image. Prints like these, showcasing idealized versions of interior design, circulated amongst the elite, reinforcing his cultural authority. Editor: It’s interesting to me how the chimney almost acts as a stage. You have Louis XIV on horseback like a conquering hero painted above, surrounded by what looks to be angels, while down below there’s ornamentation everywhere, framing everything perfectly like a theater set. Curator: Precisely. The composition uses various elements of Baroque design. The garlands, putti, and ornate frames emphasize grandeur, conveying the wealth and sophistication of the owner, presumably someone aspiring to emulate the royal court. The chimney isn’t just a functional element but a display of status. Editor: I can see that. Even the wallpaper is working overtime with what looks to be little fleur-de-lis all over it! It’s like every surface has to whisper about the king's might and influence. It's funny how this print, itself a smaller, reproducible thing, becomes an advertisement for very specific style, all designed to promote the centralized power. Curator: That's exactly it! The series, 'Grandes Cheminées', to which this piece belongs, served to disseminate these ideas and promote a standardized aesthetic. Think of it as 17th century design influencer material. Editor: It makes me think about how power finds ways to brand itself. From palaces to… fireplaces! Well, thanks, now my little apartment feels tragically understated. Curator: Ha! On the contrary, our perspective on the function of design has come a long way since Le Pautre. It's been great reflecting on the ways spaces can hold societal value.
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