Portretten van Anthonis Mor, Matthys Cock en Hieronymus Cock 1764

This print, made by Jan l’ Admiral, portrays Anthonis Mor, Matthys Cock, and Hieronymus Cock. It’s made using an etching technique, where lines are incised into a metal plate with acid, then filled with ink and printed. Looking closely, we can see how the density and direction of these etched lines create the illusion of three-dimensionality, defining the contours of the faces, the folds of the clothing, and the textures of the beards. The process requires a high degree of skill and control, not unlike traditional drawing, but with the added constraint of having to translate tones and textures into linear marks. Prints like this one were essential in the early modern period, allowing images to be widely disseminated. They were a form of visual currency, circulating portraits, landscapes, and scenes from daily life. The print medium democratized art, making it accessible beyond the wealthy elite. It also documents a sophisticated technical knowledge, and reflects the early influence of industrialization on art. Understanding how this print was made gives us insight into its social function, as well as the artist’s clever manipulation of materials. It dissolves any artificial boundary between art, craft, and industry.