Tie-back c. 1938

Editor: So, this is "Tie-back," a coloured pencil drawing made around 1938 by Helen Bronson. It’s a pretty straightforward profile portrait, very classical in style, enclosed in a circle. The monochromatic palette really emphasizes the linear quality of the work. What stands out to you about its composition? Curator: The very pronounced linearity is indeed striking. Observe the crispness with which the profile is rendered, contained within the geometry of the circular frame. The incised parallel lines mimic the effect of wood grain, giving an illusion of depth. It operates as both figure and ground, signifier and signified. Notice how the subtle modulation of the coloured pencil creates a textural surface, almost like a bas-relief sculpture. Editor: I see what you mean about the textural quality now that you mention it! Does the round frame have any impact on your reading of the artwork? Curator: The tondo form is a classical device. It emphasizes the object quality, and invites consideration as both a study and an artwork, existing as both preparation and end. The monochromatic scheme serves to amplify our perception of depth created by the artist. Editor: It's interesting to consider the form as adding another layer to the portrait itself. I was so focused on the portrait itself. Curator: And what a sensitive, skillful rendering it is! It invites us to examine the essence of representation itself: line, form, and the very illusion of three dimensions on a flat plane. Editor: Thank you for pointing out those aspects! Now I’m curious how my understanding might shift with other portraits we'll examine. Curator: A continuous learning process of refinement! Looking forward to exploring other art works together.