Penningen met portretten van Willem I Frederik, koning der Nederlanden, Frederik, prins van Oranje-Nassau, Louise, prinses van Oranje-Nassau, Willem V, prins van Oranje-Nassau, en Wilhelmina van Pruisen 1780 - 1849

This print, held at the Rijksmuseum, presents us with portraits of the House of Orange-Nassau, rendered in profile. Note the stark circular frames around each figure, echoing the tradition of Roman portrait medallions, symbols of power and lineage. These profiles, gazing eternally to the side, evoke a sense of stoicism and nobility, a pose struck by rulers across epochs. Consider how this echoes the profiles on ancient coins, transforming the individual into an emblem. Yet, the delicate lines and soft shading betray the influence of the Enlightenment, softening the image of absolute power. The profile itself is a fascinating device. It presents a controlled, curated view of the self, inviting admiration while keeping the viewer at a respectful distance. This careful presentation is not merely aesthetic; it's a projection of dynastic strength. Over time, such representation has evolved – from imperial busts to modern-day political posters – with the underlying goal of shaping public perception and enshrining memory. It speaks to our deep, subconscious desire for order and continuity.