Minnie Hauk, from the Actresses and Celebrities series (N60, Type 2) promoting Little Beauties Cigarettes for Allen & Ginter brand tobacco products 1887
drawing, print, photography, gelatin-silver-print, albumen-print
portrait
drawing
photography
coloured pencil
gelatin-silver-print
albumen-print
Dimensions Sheet: 2 3/8 × 1 1/2 in. (6 × 3.8 cm)
Curator: Let’s examine this fascinating print of Minnie Hauk, dating back to 1887, part of the "Actresses and Celebrities" series by Allen & Ginter. It’s held at the Metropolitan Museum of Art. Editor: It’s captivating. The sepia tones and small size create an immediate sense of intimacy, almost like holding a memory. There is something nostalgic and melancholic about the whole piece. Curator: Indeed. The albumen print process, so characteristic of the period, lends a distinctive tonal range and visual texture to the image. Observe how the light subtly models the face and garment. The contrast between the patterned shawl and her simpler bodice also draws the eye. Editor: Precisely, the materials and the purpose are what intrigue me most. These were promotional cigarette cards! Cheap tobacco, mass production meeting the desire to collect and consume images of fame. This piece exists as part of larger series, imagine the labor behind creating all those photographs and printing them at that scale. Curator: Good point, it’s the synthesis of different artistic means: photography enhanced perhaps with drawing, resulting in these unique "little beauties" as they were promoted, with an element of constructed image appealing to an audience hungry for celebrity images. It reflects broader visual culture and ideals of beauty and fame. Editor: Absolutely. This small, mass-produced object illuminates much about 19th-century society, how it consumed both goods and constructed ideas of femininity, class and taste. It shows us that the material reality is more complex. Curator: A perfect confluence of form and function that reveals the interplay between artistry and commerce in this image. It's far more than a simple celebrity portrait. Editor: Yes, a tangible artifact that shows how visual language intersects with labor practices, industrial technology, and mass consumerism.
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