Contract Sealed with Blood (Blood Oath) 1897

Editor: We’re looking at Bertalan Szekely’s "Contract Sealed with Blood (Blood Oath)" from 1897. The Romanticism style immediately brings drama to the surface. The watercolor and oil on canvas render this medieval scene vividly. What historical narratives do you believe the artist wanted to convey? Curator: It's interesting how Szekely deploys Romanticism to portray this foundational myth of Hungarian identity. This “blood oath”, supposedly uniting Magyar tribes in the 9th century, is rendered here in a way that speaks directly to late 19th-century nationalism. Consider how the figures are presented. Do you notice anything about their attire and stature? Editor: Their garb is very detailed. Most are soldiers dressed for combat. How would this image affect the public during that era? Curator: Exactly. And who does it include and exclude? This isn’t just about historical accuracy. Think about the political and social context of Hungary at the time. This image appeared when Hungary sought independence within the Austro-Hungarian empire, making a scene about unity deeply impactful. Is it also exclusionary by only showing Magyar unity? Editor: That is insightful! What appears to be just a work about Magyar unity is fraught with 19th-century politics. Curator: Precisely! Szekely evokes the past, but in doing so, he’s actively shaping a particular vision of Hungarian identity for his contemporary audience. The image asks the viewer to see themselves within this grand narrative, promoting a very specific notion of belonging. What appears on the surface can often be deeply embedded in layers of ideological intent. Editor: Thanks, that gives me much to think about, considering the narrative he puts forth and what the historical implications might be. Curator: Absolutely! This work demonstrates the potent intersection between art, nationalism, and identity.