Couple by Richard Lindner

Couple 

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mixed-media, painting

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portrait

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mixed-media

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painting

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appropriation

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caricature

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pop art

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figuration

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geometric

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group-portraits

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expressionism

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abstraction

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pop-art

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portrait art

Curator: The artwork we're viewing is titled "Couple" by Richard Lindner, a mixed-media piece from 1977. What are your initial thoughts? Editor: Striking! The geometric forms, almost caricature-like, hit me first. There's a clear emphasis on line and the use of contrasting colours gives it such a unique pop art energy. Curator: Absolutely, and Lindner's life deeply influenced this aesthetic. Born in Germany and later immigrating to the United States, he witnessed the rise of totalitarian regimes and the complexities of urban life, both of which surface in his portraits and cityscapes. Do you see how the artist created geometric figuration as an exploration of both these sociopolitical themes as well as human psychology and sexuality? Editor: I'm glad you brought that up, because those bright shades – particularly the purples and reds—clash in ways that evoke, maybe, uneasiness and confrontation more than intimacy. The flatness of their features almost suggests the masks people wear in society. What I like about Lindner’s style here is how he transforms potentially chaotic elements, the abstraction of forms, and bold choices of colors to bring forward clarity through line and geometric definition. Curator: His background in commercial art is so evident in this piece, a blending that provides such insight to what Pop Art can reveal. The painting pulls you into the context of the artist while giving space to the subject themselves. The almost sardonic approach he’s brought makes me ask, “What do these figures tell me about a time in tension and the relationship and the dynamic therein?" Editor: Looking closely at Lindner's "Couple", what initially seemed a discordant palette has me fascinated by its formal complexity and the dynamic balance achieved through colour and form, which is interesting since this period in his art marks Lindner turning a bit further away from what might be described as pure portraiture and rather uses this moment to present, rather bluntly and in a striking formalism, characters and human life during this historical period. Curator: For me, it underscores Lindner’s powerful ability to depict how societal forces shape individuals—forcing each person into caricature. Editor: And for me, it brings attention to Lindner’s understanding of pure form to highlight a complex portrait in itself.

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