Hussar, Russia, 1886, from the Military Series (N224) issued by Kinney Tobacco Company to promote Sweet Caporal Cigarettes by Kinney Brothers Tobacco Company

Hussar, Russia, 1886, from the Military Series (N224) issued by Kinney Tobacco Company to promote Sweet Caporal Cigarettes 1888

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drawing, coloured-pencil, print

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portrait

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drawing

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coloured-pencil

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print

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coloured pencil

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history-painting

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academic-art

Dimensions Sheet: 2 3/4 × 1 1/2 in. (7 × 3.8 cm)

Editor: This small drawing, "Hussar, Russia, 1886," made with colored pencil around 1888 by the Kinney Brothers Tobacco Company, seems surprisingly detailed for a promotional item. I’m curious about the precision of the uniform. What should we be looking for when considering the significance of such a piece? Curator: We must examine this image through the lens of production and consumption. This wasn't high art, but rather a mass-produced print intended to be collected and traded. Think about the labor involved: the artists, the printers, the tobacco workers. How does that influence the final product? Editor: So, it’s less about the individual artistry and more about the process itself? I’m noticing how crisp and clean the image is. Curator: Precisely. And consider the social context. These cards were tools of branding. They promoted a certain lifestyle, and they reached a wide audience. How did the materials, like cheap card stock and mass-produced inks, affect the way viewers understood images of power and status in the late 19th century? Also, What message does the exotic military attire send to consumers? Editor: It’s interesting to think about how the materials themselves influenced the reception. It seems so far removed from a traditional portrait on canvas. Do the materials reflect anything about class dynamics at that time? Curator: Absolutely. The very disposability of these cards, meant to be tossed or traded, creates a different kind of value, a different kind of relationship to art and representation. It democratizes imagery, but through the mechanism of commodity culture. How are these values expressed, visually? Editor: This perspective really shifts how I view these kinds of collectibles. I always saw them as ephemera, but you’re showing me the layers of social meaning embedded in the materials and the process. Curator: Exactly! We gain so much more understanding about that time by analyzing production.

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