James Gregory, M.D. (1753–1821) by James Tassie

James Gregory, M.D. (1753–1821) 1791

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sculpture, marble

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portrait

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neoclacissism

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sculpture

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sculpture

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men

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marble

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profile

Dimensions 7 × 6 in. (17.8 × 15.2 cm)

Editor: Here we have James Tassie's 1791 marble sculpture, "James Gregory, M.D. (1753–1821)." I’m immediately drawn to the texture – the smooth, almost waxy surface of the marble contrasts with the sharp, clean lines of the profile. What do you make of this work? Curator: I am particularly intrigued by the composition. Note the sharp delineation of form; it presents a classical profile bust set against a stark background. Consider how Tassie has reduced the subject to essential lines, a network of concavities and convexities shaping the face. There’s a tension between naturalistic representation and stylized abstraction. Do you perceive a similar reduction? Editor: I do see that. The artist didn’t choose a frontal view. Focusing on the profile highlights the line, but also makes the form seem somewhat flat. Is there something intentional about that two-dimensionality? Curator: Precisely! This effect elevates the image from simple portraiture to a symbolic representation. The flattened plane directs our gaze along defined vectors. Consider the hair: its intricate arrangement is almost mathematical, drawing parallels between the coiffure and the Enlightenment pursuit of reasoned order. Does the play of light across the surface call anything to mind for you? Editor: Yes, I noticed the soft, even light enhances the three-dimensionality. I appreciate the careful balance Tassie achieves through his rendering. Curator: Exactly. The light and shadow don't just illuminate; they sculpt the subject's character. It presents a compelling example of Neoclassical aesthetics at play. What started as a flat plane is now animated! Editor: It’s fascinating to think about how formal choices like line and light shape our understanding of the subject. I never thought I could find so much visual interest in what looks like just a basic marble carving. Curator: Agreed, seeing it solely as "a basic marble carving" can eclipse Tassie's meticulous composition, creating dialogue and prompting more than we could have anticipated!

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