Untitled #424 2004

Cindy Sherman's Untitled #424 (2004) exemplifies her iconic series of self-portraits exploring identity and representation. The photograph features the artist transformed into a clown, her face heavily painted with exaggerated features, set against a backdrop of vibrant, swirling stripes. The clown's unsettling expression and exaggerated makeup create a sense of unease, highlighting the performative nature of identity and questioning the boundaries between reality and artifice.