[title not known] 

Editor: This is a head study by Prince Hoare, from the Tate. It's undated, but the artist lived from 1755 to 1834. It looks like it's drawn with graphite. What strikes me is the tension between the defined beard and the loosely sketched hair. What do you see in this piece? Curator: The tension you observe is a key element of its formal success. Notice the artist's use of hatching to create depth and volume, particularly around the face. Consider how the contrast between light and shadow models the form. Do you observe any underlying geometric structure? Editor: I guess I see triangles—the beard comes to a point, and maybe the head is an inverted triangle balanced on that? Curator: Precisely. These structural elements provide a framework upon which the artist builds the illusion of three-dimensionality. The formal choices elevate this beyond a mere study. Editor: I didn't see that at first. Thanks for pointing out the geometric composition! Curator: Indeed. It's often the underlying structure that gives a work its strength.