Journal des Dames et des Modes: Men’s Fashion 1807
drawing, print, paper, engraving
portrait
drawing
neoclacissism
figuration
paper
line
engraving
Pierre Charles Baquoy created this print, titled "Journal des Dames et des Modes: Men’s Fashion" around 1807, using etching and engraving techniques, finished with delicate hand coloring. Fashion plates like this one were not just images; they were products of a complex industry involving designers, manufacturers, distributors, and consumers. The etching captures the cut and drape of the garments, while the hand-applied colors suggest the luxurious fabrics available to the well-to-do. Consider the labor involved, from textile production to tailoring, and finally the artistry of the printmaker and colorist. The fashion depicted reflects a society increasingly defined by class distinctions and consumerism. Garments weren't just functional, they were also symbols of status, carefully constructed and consumed. The print itself is a commodity, a tool for disseminating taste and driving demand. So, next time you look at an image like this, think about the hands that made it, the materials it represents, and the complex social dance of production and consumption it embodies. It prompts us to question the conventional divide between art, craft, and commerce.
Comments
The Journal des Dames et des Modes occasionally provided coverage of men’s styles. These illustrations give a good picture of trends in mens’ clothing from 1797 to 1825. During the 18th century, gentlemen wore culotte (knee-breeches) 1. These fell out of fashion with the elimination of strict class distinctions during the French Revolution, to be replaced by a type of long trouser(s) known as pantalon à la Hussarde 2. These were worn with hussar boots. ‘Pantaloons’ 3 were trousers pulled tight with an elastic strap under the instep. Carrick 4 coats with a double collar were popular, and in the evenings men wore a special dress cloak 5.
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