Portret van een zittende baby by Max Cosman

Portret van een zittende baby 1881 - 1903

0:00
0:00

photography, gelatin-silver-print

# 

portrait

# 

photography

# 

gelatin-silver-print

# 

realism

Dimensions: height 84 mm, width 53 mm

Copyright: Rijks Museum: Open Domain

Editor: This is "Portret van een zittende baby," or "Portrait of a Seated Baby," a gelatin silver print taken sometime between 1881 and 1903. It’s currently held at the Rijksmuseum. The baby's expression seems almost comically serious for such a tiny human. What do you see in this piece that maybe I'm missing? Curator: Oh, I see a multitude of possibilities blooming from that single image. To me, it whispers of forgotten nurseries, doesn’t it? Consider the gaze – direct, challenging even. Is it merely realism, or is there a nascent self-awareness captured within that miniature face? And the gelatin-silver print technique, itself an emerging technology… how might that influence the reception? Editor: A challenging gaze, that's an interesting take. I was so focused on the seeming innocence. The printing process never occurred to me. Curator: Innocence, yes, but often shadowed by expectations, perhaps? These early portraits weren’t snapshots. They were carefully constructed representations, reflecting the parents’ aspirations, societal ideals. And I love thinking about it from the artist’s view, like Max Cosman perhaps whispered secrets to evoke that captivating focus. Do you sense it differently now? Editor: I do. Seeing it framed by aspiration makes the baby seem more like a little person being presented to the world. Almost like a tiny ambassador. Thanks for that. Curator: Art unveils its truths gradually, sometimes winking mischievously from beneath layers of understanding. That quiet shift, that's what keeps us gazing, isn't it?

Show more

Comments

No comments

Be the first to comment and join the conversation on the ultimate creative platform.