Morita Kan'ya as Kitsune Tadanobu in Yoshitsune Senbon Zakura 1952

Editor: Here we have Natori Shunsen’s 1952 woodblock print, “Morita Kan'ya as Kitsune Tadanobu in Yoshitsune Senbon Zakura.” The stark white makeup against that strong red is quite arresting. How would you interpret this image? Curator: It’s a striking image, indeed. Considering Shunsen’s work as part of the Shin-Hanga movement, which sought to revitalize traditional Ukiyo-e, it's interesting to think about the politics of this revival in postwar Japan. This print captures a specific Kabuki actor in a very specific role. Do you know anything about that context? Editor: Not really, beyond it being a theatrical role, Kitsune Tadanobu. Curator: Kabuki, as a popular and at times politically charged art form, faced censorship and scrutiny. These prints served not only as documentation but also as a way to circulate and celebrate these performances, almost subversively when certain narratives weren’t entirely state-approved. The actor, Morita Kan’ya, and his portrayal would be deeply embedded in the cultural understanding of the play. It invites the public to think about these roles and representations beyond the stage. Editor: That makes so much sense. So, the print almost becomes a form of cultural resistance or preservation? Curator: Precisely! And Shunsen's mastery of the woodblock medium ensured that this form of resistance had a wide audience. How does knowing this change how you see the artwork now? Editor: It goes from just a portrait to a really fascinating piece of social and artistic commentary! I see it as a really layered and engaging piece. Thank you for sharing. Curator: My pleasure! Art is always richer when we understand its connection to the broader world.