Little Sandpiper, from the Game Birds series (N40) for Allen & Ginter Cigarettes 1888 - 1890
drawing, print, watercolor
drawing
water colours
impressionism
landscape
figuration
watercolor
watercolour illustration
Dimensions Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm)
Curator: This delightful piece, "Little Sandpiper" from the Game Birds series by Allen & Ginter, was made between 1888 and 1890 using watercolors and printmaking techniques. Editor: It's interesting that this charming, almost impressionistic watercolor landscape exists on something meant to be collected in cigarette packs. What's so significant about using art in mass-produced items? Curator: Ah, precisely! The means of production here are crucial. These cards weren't just randomly inserting art; it was about associating a burgeoning consumer culture with aspirational values—in this case, beauty, nature, and leisure. The "Richmond Straight Cut No. 1 Cigarettes" brand becomes associated with the qualities represented in the image, a very intentional act in the making and distribution. Editor: So the choice of subject matter, even down to a "little sandpiper," matters in terms of how consumers would perceive the brand? Curator: Absolutely! The delicate watercolor, the attention to detail… it suggests refinement, care, and perhaps even a connection to the outdoors—qualities a brand would certainly want to convey. The labor behind the artwork elevates the consumable item. It asks questions of who produced this card, and what kind of worker were they? Editor: That’s fascinating. I never thought of the physical process and production so much. How these cards connect ideas of luxury to tobacco through materiality! Curator: Exactly. Thinking about art within its full social context opens up a new dimension for understanding these seemingly simple images. Editor: Well, I definitely have a lot to chew on regarding the production process of art, its intersection with commerce, and its use of materiality. Curator: Me too, each piece carries an extensive historical manufacturing context, and our conversation has simply unveiled one minor corner of it.
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