Without Commending Himself Either to God or the Devil: Clear Folly 1778

Curator: Here we have an etching by Francisco José de Goya y Lucientes entitled, "Without Commending Himself Either to God or the Devil: Clear Folly." Editor: It strikes me as a scene of desperate, chaotic activity, rendered with such raw immediacy. The dark, almost oppressive tone really sets a mood. Curator: The composition, with its dynamic interplay of light and shadow, certainly reinforces that. Observe how Goya uses aquatint to create those tonal contrasts. Editor: Indeed. It speaks to the sheer labor involved in printmaking – the physical act of etching and the social context of its creation. It feels like observing unrest. Curator: The figures' postures and gestures can be interpreted as symbolic representations of human folly and irrationality within the work itself. Editor: For me, it’s a powerful testament to human struggle—a potent example of art's capacity to depict and reflect on social realities. Curator: Yes, a somber reminder, skillfully executed. Editor: Absolutely, a powerful piece.