Mandlig modelstudie, siddende by Hendrik Krock

Mandlig modelstudie, siddende 1671 - 1738

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drawing, pencil

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drawing

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baroque

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charcoal drawing

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figuration

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pencil drawing

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pencil

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academic-art

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nude

Dimensions 272 mm (height) x 388 mm (width) (bladmaal)

Curator: This pencil and charcoal drawing, "Mandlig modelstudie, siddende," which translates to "Male Model Study, Seated," is attributed to Hendrik Krock. Its creation is situated sometime between 1671 and 1738. What's your immediate reaction to it? Editor: A certain weariness. The man is nude, vulnerable, but he's also turned away, looking off towards something we can't see. The lines are soft, almost faded, contributing to a sense of melancholic reflection. Curator: It’s interesting you pick up on that. It resonates with the period’s approach to academic art, emphasizing anatomy and idealized form as a means to explore human potential and the constraints placed upon it by social structures. Do you think that still rings true in the 21st century? Editor: Absolutely. The nude form is still a battleground, particularly for male vulnerability and how masculinity is expressed, especially concerning its performance in various patriarchal spaces and their art production, for example. We see echoes of these power dynamics within artistic institutions. Curator: Krock was a court painter. A very public role. The way he presents this model says so much about the conventions of male portraiture and power during the baroque period. We are not viewing idealized depictions of mythological heroes as if it once were in renaissance art, are we? Editor: Exactly! There’s a deliberateness about this scene, how the model is casually draped on what it appears to be the ground, emphasizing their corporeal form through stark realism that demands the viewer see past mere societal expectations of the subject. It demands us to view its artistic implications in full and total complexity, acknowledging past present. Curator: By focusing on such models and artistic expressions, and analyzing the public and political role of such drawings and imageries, we learn more about not only society during those times, but also present times. I think visitors can gain powerful insight from this piece about our shifting values regarding nudity, representation and masculinity. Editor: Agreed. I find it a very poignant reminder of the dialogues art facilitates, dialogues about identity and politics and their lasting impact over the generations.

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