Dish with a bouquet and flower sprays by Kaiserliche Porzellanmanufaktur

Dish with a bouquet and flower sprays c. 1800 - 1849

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Dimensions: height 4.7 cm, width 25 cm, depth 24.4 cm, width 15.4 cm, depth 15.2 cm

Copyright: Rijks Museum: Open Domain

Curator: This is a porcelain dish, likely produced by the Kaiserliche Porzellanmanufaktur sometime between 1800 and 1849. Note the painted floral decorations, quite delicate for a utilitarian object. Editor: Utilitarian, perhaps, but it whispers of something more...it’s got a hushed, romantic feel, like pressed flowers in an attic, you know? Curator: Absolutely. Let's unpack that "romantic feel" for a moment. The rococo influence is evident, even though this piece comes well after the peak of that style. Consider the material; porcelain, especially at this time, was a highly prized commodity, the result of specialized labor and global trade routes. The delicacy you perceive stems not only from the painted details, but from the value assigned to both the materials and making process. Editor: Right, it's born of labour, definitely. But to me it feels almost dreamlike; the off-white glaze with those faded blooms. Does this reflect some wider socio-economic movement, perhaps how access to luxuries trickled through society at the time? Like having a taste of something, without ever getting the whole feast. Curator: Exactly! Production and wider access did change taste and style. These floral designs weren't just decorative flourishes. They functioned as a way to enhance value of objects, by democratizing style across material lines. Porcelain offered something more permanent than something of ephemeral organic matter, such as real flowers. Editor: It also sparks ideas around impermanence and preciousness; it's something we use, but equally display with a lot of carefulness. Makes you wonder about all of its owners over time! I like that tension. Curator: Well, there's always a narrative woven into an object through its circulation in commerce and personal relationships! We can see how something so apparently simple reveals complexities once we think about the layers of making and how something takes on multiple functions from table setting to pure aesthetic statement. Editor: Right. Suddenly, this fragile little dish starts holding stories far bigger than just flowers. Makes you want to pause a bit longer, doesn’t it? Curator: Absolutely. Its quiet beauty speaks volumes when we understand its journey through history and labor.

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