Gezicht op Piazzetta te Venetië, 1585 by Pieter de Jode I

Gezicht op Piazzetta te Venetië, 1585 1590 - 1632

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print, etching, engraving

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venetian-painting

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baroque

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print

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etching

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old engraving style

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landscape

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pen-ink sketch

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cityscape

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history-painting

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engraving

Dimensions height 309 mm, width 423 mm

Curator: This is "View of the Piazzetta in Venice" created between 1590 and 1632. This engaging cityscape comes to us via Pieter de Jode I and his mastery of etching and engraving. Editor: The immediate impression is one of airy grandeur, achieved with delicate lines. The balance in the composition, those vertical lines of the campanile and columns, almost act as a grid, providing structure amidst the detailed figures. Curator: Exactly, it’s a compelling use of line. The textures – from the billowing clouds to the patterned facades – result from an intricate web of precisely placed marks. See how the artist manipulates light and shadow to suggest depth? Editor: Indeed. The scene pulses with recognizable symbols: The winged lion of St. Mark perched atop the column represents the city’s patron saint. This is more than just a depiction of a place; it is a symbolic portrait of Venetian power. It reinforces Venice’s self-image as a strong, divinely favored republic. Curator: Precisely. The organization of the space subtly guides the viewer’s eye toward the Basilica of San Marco in the distance, enhancing a feeling of receding perspective while also accentuating spatial relationships. Editor: And look at the figures populating the scene; they hint at Venice's global reach and busy, robust commerce. These carefully included details reflect a self-assured culture proud of its civic rituals and trade links. The statues in the lower corners reflect triumph. Curator: An excellent point. By positioning those allegorical figures so prominently in the foreground, de Jode integrates classical motifs within a decidedly contemporary cityscape. Editor: Studying the imagery provides a deeper connection with Venice's past—its enduring myths, emblems, and claims to distinction as a center of trade, art, and civility. Curator: Analyzing this engraving exposes just how much information about artistic choices can be conveyed through formal elements. Editor: Yes, examining recurring icons of the era alongside careful composition reveals aspects about the culture in which this piece was created.

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