Jules Dalou, 1st plate 

Alphonse Legros created this etching, titled 'Jules Dalou, 1st plate.' In nineteenth-century France, portraiture was a powerful tool. It served to solidify the social standing and public identity of the sitter. Here, Legros, a contemporary of Dalou, uses the etching technique to produce an intimate portrayal of his peer. Consider the male gaze, so prevalent in art history. It is here, but inverted. Legros, as a man, captures Dalou, also a man, but there’s a notable lack of objectification. Rather, the image reads as a study in respect and mutual understanding between artists. The soft lines and delicate shading add to this effect. The lack of adornment or grandiose background pulls focus onto Dalou’s face. This highlights his character. The etching offers an alternative to traditional representations of masculinity and identity. It invites us to consider the complexities of male relationships in the art world. The gaze is softened, humanized. It emphasizes connection rather than power.