Red and Blue Horse by Franz Marc

Red and Blue Horse 1912

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oil-paint

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animal

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oil-paint

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landscape

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german-expressionism

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figuration

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oil painting

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neo expressionist

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expressionism

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horse

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expressionist

Dimensions: 26.3 x 43.3 cm

Copyright: Public domain

Curator: We're looking now at Franz Marc's "Red and Blue Horse" from 1912. What strikes you about it right off? Editor: An explosion! It feels like stained glass shattering. Not fragile, though; powerful. Those jolting colors, the angles – pure feeling projected onto canvas. Curator: Indeed. Marc aimed to depict the spiritual essence of animals. The vibrant oil-paint and fractured composition embodies the bold exploration of color theory and raw emotion so prominent within the German Expressionist movement. Editor: Oil allows for those luminous colours, layer upon layer of meaning made visible. How interesting that Marc, so keen on animal essence, was actually participating in the highly mechanized and resource-intensive system of art production itself. Paint doesn’t just appear; there’s an economy behind it. Curator: A fair point, although I would say that materiality did little to inhibit Marc's ability to transmit complex sentiments. Blue, for him, often represented masculinity and spirituality, while red embodied primal earthly energy. Editor: So, the tension is baked in from the start! A collision of spirit and earth, maleness viewed through that Expressionist lens... Given the sociopolitical ferment in Germany at the time, is it too much to see this conflict reflected on a grander scale, too? How different industrial capitalism felt against traditional rural ways. Curator: That’s certainly plausible. Marc often spoke of escaping the corruption of the human world by connecting with animals, seeing them as more pure. These idealized, colorful creatures might also represent a utopian vision, untouched by industrial alienation. He died only a few years later in the first World War... a great loss for sure. Editor: Makes you wonder what further evolution of thought Marc might have brought to art given the immense human-induced tragedy to come. Looking at the texture, that energetic brushwork...he threw himself, body and soul, into rendering these horses. Makes you think about labor and feeling both! Thanks.

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