Pluto Abducting Persephone (recto) c. 17th century

Curator: The drama is palpable, isn’t it? This drawing, "Pluto Abducting Persephone (recto)", from the 17th century, immediately conveys a sense of violent action. Editor: It's frenetic, yes, chaotic almost. Look at those rearing horses! The artist uses sepia ink in such a swirling, unrestrained way. What about the making of the dry-media drawing? What can you tell me? Curator: The dynamism certainly contributes to the baroque style of the artwork. Let’s situate it within its allegorical and historical context: we are witnessing Pluto, god of the underworld, seizing Persephone, a pivotal moment from classical mythology. The drawing exemplifies history painting. Her abduction represents a seizure of autonomy and female identity, so often present within mythological stories of possession and violence. How do we read it in the light of modern discourse? Editor: Very much. Well, from a materialist point of view, what stands out to me is the energy of the artist’s hand. The rough texture, the layering of strokes—they build this feeling of urgent activity. There's labor involved here: it's physical, almost performative. He works on drawing to create that chariot hurtling into the depths; we feel Pluto's raw authority but it lacks beauty! It underscores that something is wrong and highlights the brutal capture and loss of liberty. Curator: Absolutely. The medium and technique profoundly reinforce the themes of power and violation inherent in the narrative. You're drawing our attention not only to the classical story of Hades capturing Persephone but to the gendered power dynamics made raw and exposed. Perhaps now we, as modern viewers, ought to pause for thought and confront our own reactions. Editor: Well said. And thinking about materials and technique, hopefully that adds a deeper understanding of how the drawing came to life. Curator: I agree. Looking closely at art allows us not only to understand history, but our present and how art helps shape discourses on topics still present today.