Christ Saying Farewell to His Mother (one of seven) 1530 - 1565

Jean Pénicaud the Younger created this enamel plaque depicting "Christ Saying Farewell to His Mother" in the mid-16th century. At first glance, the composition is a study in contrasts, with the figures emerging from a dark ground. Pénicaud uses monochrome to amplify the emotional weight of the scene; the cool greys and whites give the image a stark quality. Note how the artist uses lines to define form and create a sense of depth within the small format. Consider how the arrangement of figures directs our gaze. Mary kneels, a posture of sorrow, while Christ stands tall, his gesture indicating resignation and divine purpose. This interplay of postures isn't just narrative but engages with theological ideas about sacrifice and obedience. The enamel technique itself contributes to the work's meaning. The careful layering of colors and the smooth finish speaks to the Renaissance's preoccupation with refinement and artistry. Pénicaud’s plaque is not just a devotional image but also a sophisticated object that invites contemplation on themes of faith, family, and sacrifice.