Spotprent over het kiesontwerp, 1887 by Johan Michaël Schmidt Crans

Spotprent over het kiesontwerp, 1887 1887

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drawing, print, pen

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portrait

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drawing

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comic strip sketch

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quirky sketch

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dutch-golden-age

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print

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caricature

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sketch book

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figuration

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personal sketchbook

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idea generation sketch

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sketchwork

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thumbnail sketching

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comic

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line

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sketchbook drawing

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pen

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genre-painting

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storyboard and sketchbook work

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sketchbook art

Dimensions height 215 mm, width 275 mm

Editor: Here we have a print from 1887, "Spotprent over het kiesontwerp," created by Johan Michaël Schmidt Crans. It looks like a political cartoon depicting two men in conversation. One seems quite well-off, the other more intellectual. It's a rather direct comparison, almost like a stage play. What can you tell me about this piece? Curator: This print presents a fascinating commentary on Dutch society and politics in 1887. The title references the "kiesontwerp," or electoral design, suggesting this is a criticism of voting rights and representation. Consider the figures depicted – a well-to-do man versus one carrying books, presumably representing wealth and intellect. What does the text in the print below the figures suggest to you? Editor: It looks like some kind of caption; phrases such as "well suited" versus "wealthy." A divide based on their condition? Curator: Exactly. This image highlights a central debate about who should have the right to vote. Electoral reforms during that period grappled with issues of property ownership, social class, and education. It looks to engage in the social role of the printing press to provide commentary in the political landscape. Do you see the connection between those issues with our time today? Editor: Yes, thinking about current debates around voter access and representation, it definitely still resonates! It’s amazing how a simple drawing can reveal so much about a particular historical moment. Curator: Indeed. It underscores the vital role art plays in reflecting and shaping societal discussions across eras. These works also invite us to examine the continuing relevance of historical power structures in shaping contemporary inequalities. Editor: I will certainly see caricatures differently from now on. Thanks!

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