Virgin Mary (probably) 1485 - 1499

Mino da Fiesole likely sculpted this terracotta bust of the Virgin Mary in 15th-century Italy. The Virgin’s head is covered by a simple headscarf, a symbol of modesty and piety. This motif of the veiled woman appears throughout history, from ancient Roman depictions of veiled priestesses to Byzantine icons of the Theotokos. The veil carries significant weight, representing purity, mystery, and the sacred. Think, for example, of the veiled figures in ancient Greek tragedy, shrouded in grief and lamentation. Here, the Virgin’s downward gaze and serene expression evoke a sense of sorrow and acceptance, reflecting the knowledge of her son’s future suffering. The image taps into a deep well of collective memory, engaging viewers on a subconscious level. The emotional power of Mary’s figure has been a recurring theme across centuries of religious art. The figure of the veiled woman is a powerful symbol, constantly resurfacing, evolving, and taking on new meanings in different historical contexts.