A man seen from the rear points to the right c. 1662

Salvator Rosa rendered this ink drawing, “A man seen from the rear points to the right,” sometime in the mid-17th century. Rosa was an Italian Baroque painter, known for his unique and often rebellious approach to art. In this drawing, we see a figure, possibly a philosopher or a scholar, turned away from us, draped in classical robes, his arm extended as if directing our gaze. The averted face invites us to consider the power dynamics inherent in looking and being looked at, suggesting the complexities of identity and representation during the Baroque period, when Europe was grappling with issues of social hierarchy and cultural identity. Rosa’s choice to depict the figure from behind might subtly critique the traditional heroic portraiture of the time, inviting us to consider alternative narratives and perspectives. This piece stirs a quiet contemplation on the act of seeing, directing, and perhaps, even, misdirecting.