Wooden Work Box by Max Soltmann

Wooden Work Box c. 1937

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drawing, ceramic

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drawing

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ceramic

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ceramic

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watercolour illustration

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watercolor

Dimensions overall: 38.2 x 50.7 cm (15 1/16 x 19 15/16 in.) Original IAD Object: .156 M high; .26 M long

Curator: Our next piece is a watercolour illustration titled “Wooden Work Box,” created around 1937 by Max Soltmann. Editor: My first thought? Stoic domesticity. It's got that solemn, quiet vibe like an old photograph you’d find tucked in your grandmother’s attic. A time capsule painted on paper. Curator: Exactly! And those details! Notice how Soltmann captures the wear and tear – the little dings, the subtle shifts in color across the ceramic surface. It tells a silent story of use, doesn't it? It speaks to the beauty of ordinary objects, the ones we take for granted. Editor: Oh, completely. That loop handle especially—a signifier. In countless homes, it could symbolize comfort, perhaps a vessel holding recipes passed down through generations, or sewing tools mending tattered family memories, securing traditions through thread. Curator: I'm really with you on that. It’s not just a work box, is it? It's a kind of symbolic hearth, holding a family's history safe. Like a three-dimensional visual poem, I'm suddenly feeling a bit sentimental! Editor: Sentimental…that hits right. There's an undeniable gravity to its stillness. Almost like a photographic pose from an old daguerreotype, all the way down to the soft tonal simplicity and sepia feeling, distilled by watercolours on paper. What do you think this container is meant to signify for the creator, for Soltmann himself? Curator: Well, maybe it represents stability and resourcefulness during a tumultuous period. Think about the year – just before the war. Maybe holding onto everyday skills felt vital in those unstable times. And this almost feels to me a loving act of visual preservation, wouldn’t you say? Editor: Definitely a vessel preserving a memory and evoking it to me now through his hands, almost a hundred years later. Curator: To encounter a simple item so wonderfully elevated by careful handiwork – it changes how we think about artistry itself, perhaps, too. Editor: The simplicity of everyday life, indeed rendered exceptional through art—it makes you ponder what mundane pieces *we* surround ourselves with that hold a certain unspeakable and perhaps forgotten power.

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