Journal des Dames et des Modes, Costume Parisien, 20 novembre 1810, (1103): Redingote de Lévantin (...)

Pierre Charles Baquoy created this print, entitled *Redingote de Lévantine Rattachée par une Echarpe*, in 1810 using engraving and etching techniques. These processes involve cutting lines into a metal plate, inking the surface, and then using a press to transfer the ink onto paper. The image shows a fashionable Parisian woman wearing a "redingote," or riding coat. The delicate lines define the texture and drape of the fabric, while the added color highlights the garment's fashionable cut and style. The print was part of a series documenting contemporary fashion, catering to a growing consumer culture interested in the latest trends. Consider the labor involved in producing both the print and the clothing it depicts. From the skilled engraver creating the plate to the artisans producing textiles and garments, this image offers insight into the industries and skilled traditions that were prevalent in the 19th century. By focusing on materials, making, and social context, we gain a deeper understanding of the artwork, bridging the perceived gap between fine art and craft.