The Virgin and Child with Saint Anne by Albrecht Durer

The Virgin and Child with Saint Anne c. 1500

0:00

print, engraving

print

figuration

line

history-painting

northern-renaissance

engraving

Dimensions: 4 9/16 × 2 13/16 in. (11.59 × 7.14 cm) (image)5 13/16 × 4 1/16 in. (14.76 × 10.32 cm) (mount)

Albrecht Dürer created this engraving, “The Virgin and Child with Saint Anne,” during a period of immense religious and social change in Europe. This was the time of the Reformation, when traditional views of religion, family, and womanhood were being challenged. In this image, we see the Virgin Mary and her mother, Saint Anne, holding the infant Jesus. Often, representations of motherhood in this era idealized women. Dürer, however, seems to hint at the complexities inherent in these roles. Anne's youthful appearance, almost mirroring Mary’s, blurs the lines between mother and daughter. The Virgin Mary, typically portrayed as joyous, appears solemn and almost mournful. Above the figures, God looks down upon them, suggesting the weight of divine expectations. The emotional intensity of this image invites reflection on the expectations placed on women, especially within the context of family and religion. Dürer masterfully captures the tension between the earthly and the divine.

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minneapolisinstituteofart over 1 year ago

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Saint Anne, the mother of the Virgin Mary and grandmother of Jesus, was a popular saint in the fifteenth century. When depicted with her daughter and grandson, the subject is called Anna Selbdritt in German or Anna Metterza in Italian, which, translated literally, means “Anne, put in third place.” Anne was traditionally shown holding a miniaturized adult Virgin Mary on her lap, who, in turn, was shown holding the Infant Jesus on her lap. The inventive Renaissance artist Albrecht Dürer eschewed this conventional iconography to find a more natural, elegant pictorial solution for the hieratic image. Instead he shows Anne and Mary standing beside each other and gazing warmly at the infant Christ. Mary can be identified by her long flowing locks and less matronly dress, striking for its open v-shaped back. Cradling the baby, she offers his bare head to her mother’s outstretched hand. Jesus, nestled in Mary’s arms, cradles a pear and looks up to heaven and the Holy Ghost (a dove) and God the Father, thus completing the Holy Trinity. Anne, as both an ordinary human being and a member of the holy family, was held up to congregants in the Catholic Church as a model. Dürer highlights Anne’s special place, depicting her in a glorious cascade of drapery and showing her facing the viewer—the only figure in the composition to do so. Her expression of love towards her grandson, tenderly evoked, emphasizes family’s humanity, including the infant Jesus.